1949 – Tony Berger

11 March 2014

1949bb

5210 International Boulevard

I think that’s the name. Probably a passer-by.

1937 – J. H. Colgrove

10 March 2014

1937dddd

1607 52nd Avenue

J. H. Colgrove took Deco to the limit, using a decorative font in which the “7” character was close to what other fonts would use for a “1.” But I have examples with a “1” in them, and that numeral is a straight unadorned stroke.

1930 – Riechel & Bredhoff

9 March 2014

1930jjj

5247 Wentworth Avenue

Riechel & Bredhoff marks have two configurations. This is what I call the tight arch, in which the maker’s name curves right up against the racetrack outline. In the easy arch, the maker’s name makes a straighter arc. The tight arch appears throughout the range of dates I have, from 1921 to 1951. The easy arch appears in 1924, 1929 through 1933, and 1940 so far. I need to pay closer attention to these. This particular mark appears next door to an easy-arch mark from the same year, both of them from October.

1930 – M. Dias

8 March 2014

1930iii

1502 52nd Avenue

1928 – Smilie & McArthur

7 March 2014

1928bbbb

1850 51st Avenue

I have another example from this year, but it’s stacked instead of all on one line, like this.

1951 – Mackenzie

6 March 2014

1951x

3416 Victor Avenue

1939 – E. H. Buell (Buel)

5 March 2014

1939ppp

4146 Norton Avenue

Right across the street from the mark I put up yesterday is this most atypical example of Buel’s work. Maybe an assistant did it, not attempting Buel’s style and even misspelling his name.